rokinon lenses review
The 24mm also comes with a super compact lens hood that blocks a little sun and provides a little barrell protection. Medium Format and Panoramic. It allows me to take my full frame on hikes when otherwise I would settle for a point and shoot or my phone. On one hand you have the top players in the full frame lens category, and, judging by most of the lenses I have reviewed recently, the trend is towards ever larger and heavier lenses. Firstly, to clear up any confusion, you’ll find these third-party lenses branded as either Rokinon or Samyang depending on where you are in the world. The Rokinon 12mm f/2 feels like a sturdy, nearly indestructible little lens that is ready for a lot of abuse. 4x5 and Large Format . It is very much a telephoto shot; the background is compressed and it almost appears as if the subject is being spied on. Users praise it for its amazing build quality and sharpness. The video indicates that the two lenses are certainly in the same league, with a few minor tradeoffs. I’ve used it for hiking and its great for all the reasons you state. Rokinon 24mm f/2.8 FE Review. It includes the 50mm, 35mm, 85mm, and 24mm lenses. Both have very good reps. Despite its shortcomings, I still find myself shooting with the 24mm f/2.8 quite a bit and recommend it for photographers that can be realistic with their expectations. Rokinon’s 100mm f/2.8 Macro lens is a short-telephoto macro lens that delivers high levels of image quality. It’s a nice little lens for the size. The Rokinon 24mm comes in at just 4.7oz (133g), and is small enough to tuck away in the pockets of my pants or jacket. Some pure landscape shots taken with the 24-105. See more information and reviews about the Rokinon 135mm F2 here. A Tiffen ND1.2 filter was used and slight variations in exposure were matched as closely as possible in post. The autofocus is mostly quiet for those of you that plan on shooting video. Here you can see a shot on a full-frame camera, the 5D Mark III (color is particularly good because of Magic Lantern). It may not fit the bill for those looking to invest in multiple lenses, but if you want an exotic look, it’s very nice. As mentioned before, the DS lenses are superior to the normal line of cine lenses mainly because they are more consistent. I’ll try eye-af and face detect when I get an A9 in a few months time. The lens comes in at just 4.7oz (133g), and measures a very compact 2.43 x 1.46″. The first thing you’ll notice in the photos below is the heavy vignetting of this lens. Rokinon 85mm T1.5 vs. ZEISS CP.3 85mm T2.1. The Rokinon 35mm ƒ/1.4 UMC is fairly large for a prime lens, at 698 grams (24.6 oz). This is technically not a cine lens, but a great man once said, “Every lens is a cine lens if you’re using it for video.” No one said that, but the footage speaks for itself. Then have a Pentax-K 28/3.5 that needs repairing and testing (sticky aperture blades). When traveling and hiking, I don’t always get optimal light, and often have to shoot in harsh conditions that many photographers would avoid. So, the Rokinon 24mm f/2.8 is light and affordable, but has a few drawbacks in regards to optics. For those looking to shoot wide, the Xeen 24mm is a great lens to work with. Lens Review: Rokinon 12mm f/2 NCS CS Posted on October 21, 2019 by Ritchie Roesch The Rokinon 12mm f/2 NCS CS is a fairly inexpensive ultra-wide-angle lens for crop-sensor cameras, such as Fujifilm X. Review: Samyang/Rokinon 14mm f/2.8 ED AS IF UMC Looking at the 14mm f/2.8 wide angle lens Site update: Thanks for everyone's support - work is still very sparse, but at least I've lots of videos, articles and reviews to write - if you've any suggestions or questions, please just let me know - … Samyang/Rokinon lenses have competed fairly well on an optical level with Zeiss glass in the past, but the build and handling of the Korean lenses was a distant second. The Rokinon 75mm F1.8 AF Sony E is an appealing option for full-frame photographers looking for a portrait lens on a budget, but we think it's worth it to spend a bit more. We’ll start with Rokinon’s Cine Lenses (including their DS lenses) and then move on to their more expensive Xeen series, lenses catered toward filmmaking professionals. The Rokinon 24mm f/2.8 isn’t going to win any awards for build quality, but it’s nearly all plastic build means you’ll take it with you on most trips without having to consider it’s weight. amzn_assoc_search_bar = "true"; Therefore, if you are considering entering Rokinon’s ecosystem, it will likely be worth spending the extra $100. On a full frame camera, there is slight but not necessarily unflattering distortion with close-up shots. I’ve been wanting to do a review on these lenses for a while, but held back because I was missing a key lens in the kit – the 50mm, which I just recently picked up. I use the Batis lenses when it really counts though. You'll get the latest gear reviews, hiking guides, and trip guides as soon as I publish them. For those looking to take intimate shots, the Xeen 50mm looks stunning. A Tiffen ND1.2 filter was used and slight variations in exposure were matched as closely as possible in post. Zeiss. Build and Size Read more here –. This is a solid fisheye lens option for the budget-conscious photographer who wants a super-wide angle. Be sure to take good care of it, though, because heavily abused lenses can still be prone to optical degradation over time. Focusing At T2.2, however, it looks great. 35mm is a great focal length for portraits on a crop sensor. Sad to hear you found it lacking a little in this regard. So don’t let the fact it isn’t made by Canon, Nikon, Sony, or Fuji scare you away. I encourage yo… The Rokinon 50mm F1.4 AF Sony E ($699) is one of several low-cost autofocus lenses the company offers for Sony full-frame mirrorless cameras. While not the most versatile lens out there, for those who want to take tack sharp shots, it’s a great way to go. Still, this lens is very sharp, and blurs the background really well. Rokinon has always been known for manual focus lenses, but it’s trying to establish itself as a reliable budget brand with its new autofocus technology. Mostly from this 24mm lens. I find this 24mm to be pretty resistant to flares and ghosting, which saves shots that otherwise would have distracting artifacts. I’ve even had a chance to spe… I was able to use these lenses for the first time on a professional shoot several weeks ago, and was very impressed to say the least… I have the Samyang 35/2.8 also and will probably add the Sony 28/2. Current California Radiation Levels live from La Jolla . You may have noticed “DS” in the title of the lens. If I closed my eyes and just handled the lens, I would say without hesitation that I was handling a Zeiss Milvus lens. This Cine 50mm boasts all the same features of the last lens, and a few more. Read more about me…. Get answers to your questions in our photography forums. This helps in production where one is using elaborate follow focus setups and also in post production, since all of the lenses produce shots with identical color. amzn_assoc_region = "US"; Amazon | BH Photo Video, Rokinon 35mm f/2.8 (My review)- This is another cheap, light, and plastic Rokinon lens. The maximum aperture is f/2.8 and the minimum is f/22. Rokinon (Samyang) Lens Reviews. See more information and reviews about the Rokinon Cine 50mm T1.5 here. It’s extremely sharp and looks great. The Rokinon 24mm f/2.8 has no weather sealing, so keep that in mind when venturing out into a rain storm or hiking on dusty trails out in the desert. Shot using a Sony a7R II using full frame mode in S-Log2 at ISO 800. There are diverging paths being taken in the photography world today. Can you tell the difference between a 24mm Xeen Cinema Prime Lens over a 24mm Rokinon Cinema Prime Lens? To be clear, these lenses are designed to all match each other as much as possible in terms of color and the placement of their focus ring. Multiple layer antireflective coatings that control ghosts and flare with increased contrast and light transmission. Click to share on Facebook (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on Twitter (Opens in new window), Click to email this to a friend (Opens in new window). Watch Reviews . This is the type of content that you'll find only in Shane's…2016-02-24T18:59:45.000Z. I decided to go for this lens against the Sigma Art because of the price difference. Rokinon (AKA Samyang) has/have been making “tiny” full-frame lenses for a few years now, and they just keep getting better and better! First look: XEEN 24mm T1.5 cine lens vs ZEISS 25mm T2.1 CP.2 cine lens on Sony a7R IIA quick series comparison shots done with the XEEN 24mm T1.5 cine lens and ZEISS 25mm T2.1 CP.2 cine lens. On the other hand, it’s lightweight, affordable, and takes shots that look great for blogs, Instagram, and Facebook. The bokeh is beautiful and even in low light, it helps the camera pick up a good amount of detail without cranking the ISO. As the owner of the Zeiss Batis 18mm and 25mm, as well as the Sony 28mm, this lens wasn’t really a “need” for me. Ever since Veydra released their lineup of Mini-Prime MFT cinema lenses, I’ve been getting lots of e-mails from readers asking me to do a review on them. With the Rokinon 35mm f/2.8, you’ll lose a little width, so pick based on focal length needs. See more information and reviews about the Rokinon Cine DS Bundle here. While there is a difference, spending nearly 10x as much is only going to be for certain users who have extremely high standards and demanding use cases. The low-budget, cheaply made Sigma / Tamron / Tokina etc. XEEN VS Rokinon $800 Lens VS $2,500 Lens! Compact for MILC. Shooting outdoors when you have space to maneuver, it gives you a proper working distance for everything from headshots to full body images of small groups. I find the sweet spot of this lens to be from f/5.6 to f/8, where the center is sharp and the corners start looking pretty good. XUMA MTA-300B iPhone/Smartphone Tripod Adapter. On a full frame camera, 35mm is on the wide side, but it still makes for pleasing and undistorted shots of people as long as one doesn’t get too close. Car Reviews. I like to keep the gear light if possible. Powered by. First of all, you should know that this is a third-party lens AND that is not necessarily a bad thing. Samyang AF 18mm f/2.8 FE Review. amzn_assoc_ad_mode = "manual"; I don’t think that is the case with this new XP line. This is an issue that’s pretty normal for wide angle lenses when shot wide open, but vignetting is still very heavy on the 24mm when stopped down to f/8. The…, See more information and reviews about the Rokinon Cine 35mm here, https://www.hurlbutvisuals.com/blog/2016/02/xeen-prime-lens-test-14mm-35mm-cinematography-education/, YouTube footage taken by full frame camera. Rokinon Cine Lenses – XEEN 14mm Lens Review It has an all-aluminum body which feels extremely premium. The specs are very similar, except for weight – the ZEISS is more than 50 percent heavier, based on larger optics, more aluminum and less plastic. One thing to note, however, is that the DS version is about 25% more, at $399, one of the smallest premiums to pay for any DS lens. XEEN 35mm Lens ReviewWe are testing the XEEN 14mm and 35mm lenses with the Canon CN-E, Zeiss CP.2, and our Cooke S4 lenses. Wien EPX-625. It’s also among the cheaper lenses. Rokinon 24mm T1.5 Cine DS Lens for Sony E-Mount: http://geni.us/rokn24sne ============================= Gear I Use to Make Videos: ============================= 1. The Xeen 85mm is great for users who want a sharp and tight lens for mediums and close-ups. Yashica. I read elsewhere that this lens matches Sony for CAF and eye-detection. Thank you for reading this review on the Rokinon 85MM Cine lens. This lenses biggest weak points are all the way open where there is some green tinting. It also boasts, as all Rokinon Cine Lens do, smooth declicked aperture and focusing, plus a sawtooth ring for using a follow focus system. Rokinon Xeen 24mm T1.5 Lens for Sony E-Mount: First look: XEEN 24mm T1.5 cine lens vs ZEISS 25mm T2.1 CP.2 cine lens on Sony a7R II, A quick series comparison shots done with the XEEN 24mm T1.5 cine lens and ZEISS 25mm T2.1 CP.2 cine lens. You can also focus manually using the plastic scroll ring on the barrel. Samyang or Bower are two other names for this lens maker, but the bottom line is that Rokinon Cinema Lenses are affordable and capture stunning images. Here was see it on an a7rII. Read more here – https://www.hurlbutvisuals.com/blog/2016/02/xeen-prime-lens-test-14mm-35mm-cinematography-education/ Shane's Inner Circle is your exclusive mentorship in filmmaking and cinematography that connects you globally with other filmmakers. Lens Mount Rokinon 8mm f3.5 Fisheye is compatible with cameras that have Nikon F (FX) lens mount.Some of the latest released cameras with Nikon F (FX) lens mount are , and . Third and finally, I don’t always need edge-to-edge razor sharp images for professional use or large prints. In this review, I’m going to cover the strengths and weaknesses of the 24mm f/2.8 in my real world experience as a hiking and travel blogger. For certain users, especially those who are counting on punching in and need super clean optics, these true cinema lenses can be worth it. Finally, the Rokinon 24mm f/2.8 takes a 49mm filter. Why? Second, the best camera to shoot with is the one you have in your hands. VideoVideo related to top 10 best rokinon cinema lenses for the canon ef mount2018-04-16T20:16:30-04:00. Gone are the days when you were limited with glass on the Sony cams! Zenit. ============================= Products in Video: ============================= 1. Style: Canon AE Verified Purchase. For this product review, I chose two special purpose, manual-focus Rokinon lenses: the Rokinon 100mm f/2.8 Macro lens for Sony E-mount cameras and a Rokinon T-S 24mm f/3.5 AS UMC Tilt-Shift lens for Sony E-mount cameras. Over the past couple of years I’ve been shooting with Rokinon Cinema Lenses, and have been quite impressed with the results. It’s not too wide to be fisheye or easily distorted, and it’s not too close to feel claustrophobic. It is constructed quite well, and despite the abundance of plastic in the barrel parts, the lens overall feels professional and smooth to operate. lenses of olden days are what gave third party lenses such a horrible track record in the first place. So finally, I’m able to share my thoughts on the Rokinon Cinema Lens Kit with all of you out there… Looks ideal for street. The 28mm isn’t much more expensive, is faster, is sharper, and is only 4mm difference with focal length. The Xeen lacks Canon’s “slendering effect” and appears to be a bit more contrast-y. Rokinon 8mm f3.5 Fisheye is a Manual Focus (MF) Wideangle Fisheye Prime lens with APS-C / DX max sensor coverage and it is designed to be used with Nikon F (FX) mount cameras. Wide open at f/2.8, the Rokinon 24mm is solid in the center, but softens quickly as you look towards the corners. See more information and reviews about the Xeen 35mm T1.5 here. Lens and Glass Let’s be real. It feels rather dense for its size, presumably from the 12 element design. The build, autofocus, and performance qualities are all superior though. He tested the Rokinon Cine Lenses XEEN 14mm, 24mm, 35mm, 50mm, and 85mm lenses compared with Canon CN-E, Zeiss CP.2, and our Cooke S4 lenses. It feels just like a Zeiss lens. Wimberley. On a full frame, the telephoto effect is much less pronounced. The autofocus hit rate is not as good as the Sony 28mm f/2, and quite a bit worse than the Zeiss 25mm f/2. ============================= Products in Video: ============================= 1. In terms of the optics, this lens isn’t the sharpest thing ever made, but if you’re OK with a soft filmic look, it gets the job done well. But when paired with my Sony a7rii’s IBIS and full frame sensor, I’m able to shoot some quality exposures while camping, hiking, and traveling that would turn to noisy mush on my iPhone. No dust or splash protection. I’m tempted by the Batis lens but I’ve got an Olympus Zuiko 21/2 awaiting repair (seized aperture) and will test that out for landscape. The lens is black with a slightly stipled finish and has a red accent ring near the mount. This is the non-DS version of Rokinon’s 24mm Cine Lens. The Rokinon 24mm f/2.8 is a super light and ultra compact full frame lens for Sony’s e-mount cameras. It is a 14mm lens and I can practically lift the focal length description from any other of the site's 14mm lens reviews.A primary reason to want this lens is because it has a 14mm focal length and the focal length largely determines the type of photography a lens is used for.The ultra-wide 114° angle of view presented by the 14mm focal length is both very useful and extremely fun to use.
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